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Vox Kontakt - Die Moderatoren für "auto mobil"
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Vox Engine 3 (Vocal Chops For Kontakt)A production because of the great quality of the sounds! With these samples it immediately makes your productions sound more clean and professional!
The programing and kits are top notch and sound like tracks which are on the Beatport Charts. I also love the diversity in the samples and styles they have.
Using some of their sample and preset packs!!.. Quality stuff!! Halloween Sale. Vox Designer for Kontakt Skifonix Sounds. Add to wishlist.
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Also includes reverb and portamento effects to help give you more control. Free product with any order. Buy any product and get Savage Bass House Bundle for free.
Adrian Seidelman. Quality as usual. That first track though, fantastic! Reviews 0 Average Rating 1 Vote :. We stick with our unbeatable pricing module and high quality sampling.
Below is the main interface for Tutti Vox Core. The different coloured banks can be loaded with different types of vocal effects. At the top of the interface there are settings for Microphone Position.
Click the i button to display a helpful information overlay. There are 13 fields within these banks, each of which can be loaded with one phrase.
These are assigned key triggers, indicated at the bottom of each field. Each field also displays a number of icons which depict different characteristics of the chosen phrase.
These include a visual representation of the sound, length, looping and gender depending on phrase chosen. The 4 different banks have different icons, depending on what type of sounds they play.
To the left of each phrase is a small speaker icon which will allow you to preview that phrase when clicked.
Just click in the title line of the bank. This will then open an option for you to choose an alternative bank.
Note that the Tonal Beds bank cannot be swapped for any other. This way you could create your own presets or snapshots with just Glissandi across all 12 atonal keys for instance.
Tutti Vox core is designed so you can easily create impressive cinematic vocal effects. To enhance the on-board performances we have included a comprehensive FX panel at the bottom of the interface.
The filter FX option allows you to apply a high, low or band-pass filter to the sound. Use the dials to adjust the frequency level, resonance and amount of filtering.
The EQ FX option enables you to shape the frequency characteristics of the sound. There are controls for high, mid and low frequency.
For each you can change the frequency, gain and Q level. Creative Convolution reverb can be applied here. Adjust the size of the space, dry and wet levels with the dials shown.
The delay FX unit enables you add echo and delay to your sounds. Adjust the delay time, feedback level and panning width with the top 3 dials. These normally cycle through, each time you trigger a performance.
However, it is possible to gain detailed control over the uses of takes. At the bottom left of the interface, click the takes button, and a set of dots will appear in each field, corresponding to the number of available takes.
The currently playing take will display as a large white dot, activated takes as small white dots and deactivated takes as grey dots.
For example:. Clicking the cog graphic at the upper right of the interface will open the options window for all of the fields. Click the cog icon again to close the options window.
The basic method of playing Tutti Vox Core is to play the green or blue keys indicated on the Kontakt keyboard. Instead, it controls the attack length of the phrases.
Push the wheel up to increase the attack length, pull down to decrease. The central position sets a slight attack curve which works well for most words.
If you wish, you can also assign the attack length to an external MIDI controller. There is a hidden control on the T of Tutti.
Using an external controller has the added advantage of being able to leave the pitch well in a position without it jumping back to center, and if you are using a foot controller for this, it will also free up your hands.
Experiment with playing sustains, playing the first one with the pitch wheel in central position, and slide it up for any notes you add.
You can create beautiful evolving textures that way. Tutti Vox Lingua allows you to construct complex phrases, constructed from shorter sounds and words.
Whichever mode you use, some aspects of Tutti Vox Lingua are identical, including the word book, levels, panning, velocity control and keyboard mapping:.
You can midi learn these by right-clicking on the controls and moving any knob or slider on your hardware controller, allowing for more hands-on control over levels and pan during mixdown.
Use the pitch bend wheel to change the attack length of these sounds. You can assign this mapping by clicking on the four keyboard graphics in the middle section of the interface show here - the key ranges shown on the MIDI keyboard will automatically be changed to show you how the new sections are stacked or separated.
In the example below, the 4 choir sections are arranged in octaves:. You can rearrange the keyboard mapping of your choir in any way you see fit.
A couple of useful suggestions are as follows:. These two sample sets are velocity sensitive and the cross-over velocity value where one switches to the other is user controlled.
Set it by dragging this slider. Bear in mind that this velocity level recognised by this slider is dependant on velocity level data sent by either by the MOD wheel, key velocity or a combination of both depending on the user setting.
In Lingua this will apply to just 1 preset of the available 4, so as not to fill your available RAM with one click. Click the O of Vox to sign random words to the fields.
The instrument has 4 presets shown here. They can be selected within the interface, where when one is clicked upon, it will expand. Each of the 4 presets has 8 fields, each of which can contain a word.
These are arranged horizontally across the UI. Only 4 words can be displayed at once. To access the other words, click the arrow to the far right of the interface.
To go back click the arrow to the far left. The currently selected word is highlighted in yellow. To program the presets, simply select one and then click within one of the fields.
Then select a word from the Word Book at the bottom of the interface - you will see that word appear in the field. NOTE: If any of the fields are blank and do not contain a word, the automated playback engine will skip them and move on to playback of the next word.
The 4 main elements coloured from yellow through red represent the 4 sections of the choir. From top to bottom soprano, alto, tenor and bass.
Each field represents one syllable. With advanced mode, different words can be assigned to each section of the choir, if you so wish.
Only 8 syllables which constitute 1 bar of music can be displayed at once in each of the 4 sections. To access the other bars, click the arrows to the far right of the interface.
To go back click the arrows to the far left. You can also select the bars using the 4 bar icons shown here.
To program the fields, simply select one and click. Then select a word from the word book at the bottom of the interface - you will see that word appear in one or more fields depending on how many syllables the word has.
Keyboard mapping for Advanced works in the same way as for Quick Play. Click them in the usual way to change the keyboard mapping.
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